How Agatha Christie Used Hypnotic Techniques in Her Writing

Hypnowheel downloaded from http://www.vecteezy.com

Who doesn’t like a good mystery? Agatha Christie is considered one of, if not the greatest, mystery writer that ever lived, with stories that are impossible to put down. Some would say it was pure talent, which is a fair assumption. However, there is evidence that Agatha might have employed hypnotic techniques that aren’t included in The Elements of Style. Maybe she just blundered into them on her writing journey, or maybe she took her studies of Freud, Mesmer, and Jung seriously. 

Here we introduce hypnotic writing, exploring its influence on Christie’s writing, and tempt you with techniques that you can employ with your own craft. These techniques are helpful to grab and hold your readers attention, from everything from novels and short stories to grant proposals, advertisements, and emails. Stick around until the end, where I reveal how you can take the thirty-second Spiegel eye roll test test to predict how susceptible you are to hypnosis. This is the same test mentalists use to pick their subjects for live events. 

My sources include Hypnotic Writing: How to Seduce and Persuade Customers with Only Your Words by Joe Vitale and the BBC documentary, The Agatha Christie Code narrated by Joana Lumley, who portrayed drunken socialite Patsy Stone on Absolutely Fabulous. Dr. Joe Synder’s Youtube channel is also a treasure trove of information, presented in his trademark unorthodox manner.  

Who is Agatha Christie?

Mystery writer Agatha Christie is the 20th century, female version of the Most Interesting Man in the World. The Guinness book of World records declares her to be the best selling fiction author of all time, with over two billion copies sold. Her writing reads just as fresh as the day she wrote it, many of her stories adapted for the stage such as “the Mousetrap” “And Then There Were None” are still in production to this day. Her characters such as Miss Marple are legendary, with actor David Suchet portraying fictional detective Hercule Poirot, for twenty five years on the BBC. That’s one hell of an acting gig. 

Banned from reading at age six, because her mother thought she would wait until age eight, Agatha taught herself to read by simply memorizing the words instead of using letters to sound them out. Perhaps mother dearest was right, because Agatha suffered from poor spelling for the rest of her life due to this method. A lonely child with a lot of time on her hands, she published her first poem about electric trams at eleven, receiving a nasty bite from the writing bug that plagued her entire life. She was a nurse in WW2, where she learned about poisons for her future novels, a divorcee (gasp!) after her first husband left her, and then an amateur archaeologist after she married Sir Max Mallowan, a famed historian. She put all of this expertise into her writing. 

What is Hypnosis, Really?

“Anything you do which makes your readers react because of MENTAL IMAGES you plant in their minds is HYPNOTIC WRITING” -Joe Vitale

When I mention the word hypnosis, I conjure up images of mustachioed men in top hats swinging golden watches or spinning hypno-wheels. Do you think that you can never be hypnotized? I have bad news for you. You have probably already been hypnotized at least half a dozen times today. Hypnosis is just deep focus. Like what psychologist Mihaly Csikszentmihalyi called “The flow state”, that deep feeling of pure concentration where you look down at your watch, thinking ten minutes went by, while in reality you worked all the way through lunch without noticing. The feeling when you are so deep into a book, that when someone calls your name, you feel as though you were yanked from another dimension. Or a songwriter relieving that nasty breakup with every performance as if it just happened three minutes ago. Or even daydreaming about your fantasy vacation to where you can almost feel the sand between your toes.

 For the purposes of this essay, let’s define hypnosis as a deep state of focus. Many people have learned to hack this focus, allowing them to recover from past traumas, quit smoking, or even brainstorm the plot of script.

What are the Techniques?

The goal of every written line is to tempt the reader into reading the next line. And repeat ad nauseam. It’s both that simple and that complicated. Here are hypnotic techniques that you can incorporate in your writing straight away to achieve that goal. 

Write in Simple Language 

When they analyzed Agatha Christie’s writing, the word “said” caught the researcher’s attention. Instead of using fancy phrases like “inquired” or even “answered, ” she would settle for plain old said. She wasn’t sending her readers out to the dictionary, or making them reread a sentence to grasp the meaning of a fifty cent word. In other words, write the way you speak. If you naturally speak the vocabulary of a 19th century playwright, then do as thou wilt. However, If you put on airs with your writing, the readers will smell the fakeness a mile away. Remember the KISS method: Keep It Simple, Stupid. Don’t be a showoff. 

Lose Yourself

While studying Christie’s rough drafts, researchers noticed could tell the moments she picked up steam after reaching her flow state, the words manically scribbled down as if dictated by a magical deity, whispering the words in her ear. Be as unencumbered as a concert violinist swaying to the rhythm of the music. Feel free to put on costumes, voices, or silly hats while you are in your war against artistic mediocrity. Like they say in the armed forces, “by any means necessary.” 

Overburden the Reader to Force Them into a Trance

Most people can’t hold more than nine characters in their head at one time without lapsing into a focused trance. Christie would have ten or more characters, just over the limit, to force the reader into a trance. No reading with one foot outside the pool. Total submergence. 

Use the Unknown to Your Advantage.

Humans hate unanswered questions. Our nosey little brains need answers like crack. Pose an unanswered question at the beginning of a chapter and they are likely to stick around until it’s answered. For example, I said in the beginning of this piece to “stick around till the end to see if you are highly suggestible.” Don’t worry, I’ll keep my promise! 

Make the Page Aesthetically Pleasing to Read.

Bullet points, numbered columns, and head lines are all your friends. Avoid having your text look like a big intimidating block of words. If it looks like a chore, nobody will want to play. People view quotation marks as a beacon, relieved that someone is about to mix it up.

Repetition, Repetition, Repetition

If you want someone to remember something in order to drive a point home, repetition of the words like “remember” or “repetition”  ensures that readers are more likely to remember what you are saying with every repetition. The sing-songy nature of the reception will make the reader remember, as long as you repeat them at least three times so they are sure to remember. Listen to the Daft punk song “Around the World” for reference. 

Don’t Ask. Command.

Nobody wants wishy-washy Charlie Brown as their hypnotist. It goes “you are getting sleepy”, not “Are you sleepy yet?” Don’t be afraid to tell people what to think. It’s your job. Steer the damn plane!

Answer These Three Reader Questions: “Who Cares?” “So What?” and “What’s in it for me?” 

We are a selfish species. If you can’t answer these three, they aren’t going to stick around long. Also, try to proactively think of questions the reader might ask, and answer preemptively. If you can get out of your own ego, and speak to the readers’ egos, then you can lead them anywhere.

Become a Drug Dealer

Your wares are serotonin and dopamine. Learn to wield these brain chemicals, and readers will keep coming back for more. Readers want to feel as though they just got off of a rollercoaster with each chapter, and are willing to stand in line for another fix.

Front Load Your Descriptions

The reasons are two fold. First, getting all your description out of the way allows the reader to pick up speed near the climax. Also make sure that you say “the red apple” not the “apple which is red.” Otherwise the reader might picture a green apple at first, but then get yanked out of her trance when she needs to recursively change the color. It’s annoying. Don’t do it.

Adverbs are Your Friends (Hypnogrammer)

But what about Stephen King’s advice to kill all adverbs, because a strong verb is always better? I know this is going to be a tough one, because it’s so reflexively ingrained in writers. When writing speeches for actual hypnosis sessions, Dr. Joe Snyder advises loading two adverbs in the front and one in the back for instant hypnotic speech. For example, “Quickly and deeply, the subject completely surrenders to the hypnotist’s relaxing, soothing, voice, immediately.”

It has a nice ring, doesn’t it? Granted the language might come off too flowery for most pieces, since this formula is for straight up hypnotic sessions. But you get the idea.

One of my theories as to why the adverbs work is that most adverbs end in “ly.” Anyone who has ever taken a vocal lesson knows that vowels are the easiest to sing and say.  If the hypnotist expertly and judiciously employs endless reception of vowel syllables, it also quickly and easily helps take the reader under completely. Agatha Christie’s works are littered with adverbs. And she’s outsold Steven King.

Have an Ending that the Reader Wants Resolved.

You don’t need to end it the way the reader wants it to end. You just need to provide an ending that makes logical sense. I.E. not pulled out of your ass like the Game of Thrones finale. Otherwise you are leading the reader on by dangling a fake carrot. Not cool. 

Use Trigger Words

Want the reader to enter a war zone, either literal or metaphorical? Pepper in words like “acidly” “stormed” or “bloody” to add to the subtext without shoving it down their throats.The reason movies and TV shows have trigger warning is so the viewer isn’t forced to relive some past trauma. Use this to your devious advantage! Also be aware of using the wrong trigger words at the wrong time. I attended a wedding where the minister gave a speech on “the stickiness of love” and the whole congregation gave a collective silent “eww ”at his word choice. That minister didn’t win any converts that day.

Visualize Every Last Detail

If you can’t visualize a character down to his toenails, then how can the reader? Replay every scene in your head like a movie with your eyes closed, visualizing every small detail. I use a cheap $20 voice activated recorder for notetaking, so I can keep my eyes closed. 

People Remember Stories

Jesus, Buddha, and Mohammed spoke in parables for good reason. People enjoy stories not lectures. If you have a concept that you need to communicate fully, make it into a short story. Reminds me of a tale of a young college freshman who tried this technique and wound up coming in first at an international writing contest, but then blew the whole thousand dollar prize on pizza, beer, and Tums.

Align with your Audience.

If you are about to address a hostile audience, become hostile yourself. Not hostile with your readers, but get mad at whatever they are mad at. No free cookies in the breakroom this holiday? Not on my watch! Let’s give them hell, guys! You and me versus them! Find out what the reader is preoccupied with, be it weight loss, getting published, or cutting toxic people from their lives, and make that your subject.

Examples of Hypnotic Phrases You Can Utilize

Courtesy of Hypnotic Writing by Joe Vitale.

As you start reading the beginning of this article you find yourself …

As you sit there and read the beginning of this report you start to

feel …

As you read every word of this report you will become (amazed,

stunned, etc.) at …

As you analyze each word of this document, you will shortly feel a

sense of (calmness, joy, etc.) …

As you scan every word of this web page you will begin to discover

new ways of …

After you have read this short article, you will feel …

Can you imagine . .

Picture yourself five years from now …

Just picture …

Just imagine …

Remember when you were in high school …

Imagine what it would be like if …

Wouldn’t it be amazing if ..

Are You Highly Susceptible to Hypnosis?

The Spiegel eye roll test is the gold standard for determining hypnotics susceptibility. Simply have the patient look up to the sky, past their eyebrows, and slowly close their eyes. If you see all white, instead of irises, and their eyelids flutter. This video demonstrates exactly what I mean. Sideshow mentalists have prospective volunteers do this test in secret. Maybe the hypnotist asks them to look at a chandelier or something. Then they choose the highly suggestible ones as volunteers. 

And here is why you should be concerned. British mentalist Darren Brown did an experiment after testing the hypothesis that Robert Kennedy assassin Sirhan Sirhan was not acting under his own free will, but was a hypnotized patsy. Here, Brown demonstrates the same hypnosis techniques and triggers that were supposedly used on Siran Siran, but this time he’s assassinating British actor, comedian and author, Steven Fry who is in on the gag.

While the ethics of hypnosis are beyond the scope of the piece, I think it all boils down to trust and intention. As long as the hypnotist is using their powers for the forces of good with the patient’s concept, then all is above board. Like a surgeon who uses a whetted scalpel to cut out tumors, not slice their patient’s throat. If someone uses hypnotism for their own nefarious manipulations, then not so much. Better get them a job in advertising or politics!

Demonetization is Demonization

Artwork courtesy of the Lee Eschliman collection.

For starters, both words have “demon” in them. Money and censorship go hand in hand, like— um. Ok, most censors don’t want any handholding going on. What would the children say? Or Sister Prudish? And when you get corporations involved, that’s when late show monologues lose their teeth. God forbid a Shamwow sits on the shelves due to someone’s potty mouth. 

While I had only read about the demonetization reamer, I’ve experienced it recently. I was beyond ecstatic when Tall Tale TV accepted my short story to narrate on their channel. To be able to include it on his channel, voice actor Christopher  Herron was willing to throw monetization out the window completely, just to be able to include it, since swears trigger Youtube’s big brother algorithm. The short story in question involves military personnel. Having worked with Navy veterans when I was working at an incinerator, I included their colorful vernacular to keep it real. So, Chris had to choose between making something he enjoyed or bending the knee to get paid for his hard work. Do all creators listen to their soul instead of their wallet? Doubtful. I got lucky. 

When it comes to censorship, the powers that be like to pick on comedians first. It’s hard to keep a population down when they keep laughing off your oppression. Just ask Seth Meyers or Jimmy Kimmel. George Carlin’s “Seven Dirty Works” led Saint George to the Supreme Court. Even fellow artists like to get in the censorship action, figuring if they have to work clean, then everyone does. A pre-rape trial Bill Cosby famously rebuked Eddie Murphey for being blue on stage.

“Bill thought that when I go on stage, I just walk out and go:

‘Fuck you! Fuck you! Fuck you!’” (waves and grins)

“‘Good night!’”

-Eddie Murphey

It’s like the late great Gilbert Godfrey said, “if you like a joke, laugh; if you don’t like it, don’t laugh.”

Here is Gilbert performing the greatest literary critique in history. 

Silence corrects a comedian’s behavior a lot faster than censorship. And if people are laughing, then maybe the joke has some truth to it, even if it stings.

Television is also notorious for censorship. Poor Lucille Ball couldn’t even say she was pregnant on the show bearing her name. So, you could love Lucy until you’ve knocked her up. Fine art was no better, giving Robert Maplethorp a hard time for shoving a bull whip up his cornhole and snapping a picture. Sure, it was shocking at the time, but today that’s just Saturday night for some folks. 

And don’t even get me started on music. Proving that the left is just as bad as the right, Tipper Gore headed the PMRC warning label sticker initiative that inspired the Danzig song “Mother.” The Ed Sullivan show wouldn’t shoot Elvis from the waist down. Pop music was so heavily censored in Russia that music lovers risked arrest from duplicating rock records using old x-rays, called bone records among collectors. It’s not all about words either. Link Wray’s instrumental classic “Rumble” was censored, the excuse being that all the greasers would rumble when it was played.

“Taking offense is a great way to avoid taking responsibility.”

— Ricky Gervais

Of course writers often find themselves at the forefront of the war against censorship, ever since the first match touched the first banned book. Whenever someone burns a book, Satan’s spiked tale wags. Dorothy Parker had a hard time getting “Big Blonde” published, because she portrayed a female alcoholic. That’s not very lady-like! Her screenwriting career ended when the bastards at the McCarthy trial blacklisted her for not putting up with their crap.

Someone has to be offensive because if you don’t use it you lose it. Even if you don’t appreciate the art behind it, at least they are pushing boundaries so they don’t close. I know that if I continue to be a contrarian, I’ll keep getting the same results. Maybe I should just be content with making the censor’s lives a little bit more difficult, like sand in an oyster, forming a pearl. Because, quite frankly Scarlett, I don’t give a darn. 

Keep writing,

Steve

9 Things I’d do Differently after My First Film Fest

My buddy Lee and I had a blast making our animated film Period last year and attending every film fest within driving distance. Of course, hindsight being 20/20, I make a bunch of oopsies that I won’t make next time. Like Oscar Wilde said, “Experience is the name we give our mistakes.” Keep reading to learn from mine.

Everything takes more time than you think.

If you think something will take one month, give yourself three. Make sure you research the due dates of all the film fests, so you don’t miss your shot. Speaking of:

Get an IMDb page as soon as possible.

This takes a while because an actual human being checks the information for accuracy. Here are the requirements. If you haven’t written a bio for you and your crew, start today. Make sure everyone has their other credits in order!

So many film people have spelled my last name “Levandoski” wrong that “Steve Lewandowski” is apparently my official stage name. 

You will need a poster, a synopsis and a trailer.

Almost every festival requires a trailer, a poster, a synopsis, and picture stills. I recommend making a shared folder so they are always handy for everyone on your team. Some festivals require certain formats and aspect ratios, so make sure you research your favorite festival’s requirements before you export. For review sites, you may also want to make a presskit, but I’ve found that most modern review sites use automated submissions instead of email queries. 

Use JPEG or PGN formats for your images, not PDFs. 

People are wary about opening PDFs because they could potentially contain viruses. Some email providers actually block emails withPDF attachments, so JPEGS and PGNs are the way to go. It doesn’t hurt to export multiple formats and sizes, while you still have the project open.

Remember to budget for review sites.

We blew our whole wad on the film fests when we should have put money aside for paid review sites. I’d say to start sending out to review sites as soon as you get a laurel or two from film fests that you can use as bragging rights when you send your baby off for review. 

Sign up for Film Freeway.

FilmFreeway is the way to go. The interface is really well done, and they keep everything nice and organized for you. Usually, the more expensive the festival, the more prestigious it is. 

I paid for the gold plan for one month and banged out all the submissions in that time frame to save money. You can even print your own laurels (trophies) so they all can all share the same format and size. Here is one from Cologne fest. I also learned that “official selection” means that you made it into the fest. That’s the lowest rung of the awards, the next being “honorable mention,” “third place”, “second place”, and “first.”

Make sure that the festivals aren’t scams.

For every legitimate artist trying to make their way, there are ten con artists putting up fake festivals and charging an entry fee. The best resources for research are Google and Reddit searches. For example, you can google “Is Stevefest Filmfest a scam? Reddit”  and do some sleuthing. Make sure the festival pictures on the sites don’t look AI generated. And just because it takes place in Cannes, France, doesn’t mean it’s legit!

Take your time with responding to every email and make sure you share all your information and social media handles when you respond.

Festivals don’t have time to add your links after they post it. You get one shot for them to post stuff, so include every link you wanted shared and every laurel you’ve won.

Make a designated youtube page for the site.

Make sure you keep it private with password protection before you officially unleash it into the world. Here is a link to our site. For larger projects, I’d recommend shelling out money for a site with the film name as your domain name.

Here is a link to “Period” for all interested.

Facebook Priced Me Out of My Opinion.

Facebook Ads, I remember when you used to be cool. For twenty bucks a month, I could reach between 100-700 readers. Utilizing their targeted ads, I reached people whose interests aligned with bothering the ones who couldn’t care less. Not too shabby. But when I tried to boost my latest post “What People in Power could Learn from David Lynch” I ran into trouble. First, Facebook Ads said my ad didn’t have enough funds. (Ok then why do you have the slider go down that far?) Then made me prepay $25 that I haven’t figured out how to get back. They finally ran my ad, but said that I would probably get no views unless I ponied up more cash. How the hell does that work?

Bro! Gimme my $25 back!

Facebook Ads and I had a good run. I’m not going to pretend that my voice needs to be heard or that I’m ever in step with the gestalt. But there were a couple hundred here and there who indeed wanted to know the nuances of the drummers of the Ramones or what hits international songwriting duo Chin and Chapman wrote besides “Ballroom Blitz.”

But what if there is someone out there with something important to say with the same cash flow problem as I have? Revolutions happen when the right words reach the right ears. Brian Eno famously said that the Velvet Underground only sold 30,000 copies, but every one of the 30,000 listeners started a band.

One would think that Meta, a company built on the shoulders of artists, would gatekeep art. It’s not like Meta needs to rent more trucks to send my blog posts down the internet wormholes. I’d like to say that the money goes towards paying for more security readers but if they aren’t using AI bots yet, they will be soon. It reeks of a cash grab. Let’s force Susie’s Seashells and Bob’s Bakery to shell out more dough. And if they are an artist who isn’t bringing in positive cashflow? Fuck ‘em.

Looks like the only blogger that will be left is Richie Rich, Can’t wait to read “Twenty Ways to Dispense with the Help if They Forget to Polish the Silver.” 

Fascists.

I used to be a contender

Can Authors Use AI? Read What the Literary Journals are Saying.

The AI revolution has been a catalyst of change for many domains, but its effect on the literary world has been the biggest innovation since the printing press. In fact, the only way you know AI didn’t write this piece is because of the number of grammatical errors. 

The following is a biopsy of editorial opinions on AI literary submissions, taken from a smattering of respected literary journals, both famous and underground. 

Spectrum Magazine 

Spectrum Magazine has been around since the 1950’s, as part of California’s College of Creative studies, and has published hundreds if not thousands of short stories. Here is their smarmy response. 

“Spectrum celebrates originality and at this time does not accept submissions generated by AI.”

Flash Fiction Magazine

Most literary magazines I’ve researched echoes Spectrum Magazine’s statement, with AI being as popular as a lightbulb salesman at an Amish wedding. But most of them aren’t as nice about it. For example, Flash Fiction Magazine’s response to AI is terse, yet effective, as to be expected by a magazine boasting stories under a thousand words. 

“We do not accept stories written by AI tools such as Chat GPT. If you submit such stories, we may ban you from submitting to our magazine.”

Small Wonders Magazine

Small Wonders Magazine, on the other hand, leaves no questions about their feelings on AI unanswered. Their signature is a Hancockian fuck you to the machine.

“When we started the magazine, the two of us talked through what we wanted the magazine to be. We wanted to give authors and poets a chance to say what was on their hearts to an interested audience. We wanted to support those authors and poets to the best of our ability. We wanted to bring pieces to you, the readers, that would surprise and delight you, and ideally make you feel.

AI-written text betrays all three. AI doesn’t write; it picks statistically-likely words with a bit of randomness thrown in to spice things up. Anything it has to “say” is an amalgam of what other people have already said, filtered and smoothed into content slurry. We have limited space in the magazine, which means that any spot we give to AI-written text displaces a human author or poet. Finally, AI-written text has little in the way of new ideas or striking images. Any surprises it brings is due to it juxtaposing ideas that don’t work together or regurgitating previously-written metaphors, and AI companies are working to sand off even those flashes of serendipity.

When new technology appears, it’s worth asking what your end goals are before adopting it. From our standpoint, AI-generated text is anathema to what we want Small Wonders to be.”

— Cislyn and Stephen

Fabulist Magazine

Fabulist Magazine will not only ban you, they will also pull your stories retroactively if you are caught cohorting with robots. They also breakdown what actually constitutes AI Usage in the post digital era. If you don’t know, now you do.

“We affirm to our readers and contributors that The Fabulist Magazine is, first and foremost, a venue for connections and encounters with unadulterated human creative works.

• Unless otherwise specified in any given call for submissions, The Fabulist is not open to works that include AI processes of any sort, including the generation of prompts, titles, names, outlines, dialogue, plot elements, descriptive passages, etc.

• We have updated our contractual and submissions materials to reflect this prohibition as clearly as possible.

• This policy is retroactive; we will remove from our archives any works found to have included undisclosed AI adulteration, though, lacking a formal policy prior to this date, we welcome the opportunity to work with previous contributors to update such works or look at new submissions.

• Moving forward, willful violators of this policy will be permanently banned from our pages.

• No, running a spellchecker or grammar tool on your finished text is not AI.”

Metastellar has a don’t ask, don’t tell policy. I laughed at the bit about the mushrooms.

“You don’t have to tell us how you wrote it. And unless we then submit it to a competition that includes AI restrictions in its guidelines, we won’t ask.

However, writers can feel free to add text to their bios saying that, for instance, their stories are completely written by a human, or written with AI help, or dictated to them by talking mushrooms. We won’t judge.”

The Diagram

A journal obsessed with the “labelling and taxonomy of things,” Diagram Magazine seems fairly blasé and unthreatened by AI.

“We are totally okay with AI-assisted work, as long as it rules. If it doesn’t rule, send it somewhere else.”

Clarkesworld Magazine

These poor bastards at Clarkworld, a fledgling Sci fi and Fantasy Magazine, needed to temporarily shut down their submissions portal after being inundated with AI stories. As if the slush pile wasn’t deep enough with human authors.

“We will not consider any submissions written, developed, or assisted by these tools. Attempting to submit these works may result in being banned from submitting works in the future.”

Curated Ai

Here is an Ai magazine curated by humans. While I’m usually a fan of contrarians, and enjoy being as difficult as the next prick, It’s hard to say if Curated Ai are embracing a new technology or kissing up to their new overlords. 

”We want to read what you have built writes. You can submit your machine-generated short stories, poems, and other works of textual art to submissions@curatedai.com. Please include your name (or nom de machine) and a brief description of what you did to generate the submitted words.”

AI Mag.

Here is another pro AI magazine. This one is supported by Harvard, so it must be a great idea.

“AI Mag is a fully AI-generated literary magazine that seeks to challenge the Harvard community’s – and the world’s – conception of what constitutes art and art-making. Through developing a web interface and fine-tuning large generative machine learning models, we enable students across campus to create works of literature and art using AI. This project explores questions about the nature of art, artist, and meaning: Is AI art real art? Who is the creator of AI art? Are intention and effort crucial to the value of art? Beyond examining the human + AI creative process, AI Mag itself explores the interplay between the traditional, elite practices of old-school literary magazines and the open-source, accessible perspectives the AI art community.”

In conclusion, let’s all try to have fun before we’re stuck mining titanium on Mars for our android overseers. Maybe they will let us keep our phones.